Some notable quotes from this half-hour piece:
And if you look at Richard Pryor, you look at George Carlin, you look at— They were thinking about making the crowd realize something.
When you realize you get to do this, it naturally shifts you back into excitement. And you're appreciative of that you're doing it. And you're excited about it and you're passionate about it. And you naturally lose fear. You naturally lose…stage fright. It just goes away.
When you're in the future, the crowd is in the future. So they can't laugh at the setup. So you'll be like 'So I'm driving down the street' and right there you're saying 'Hold on—' versus giving the street its own story. What kind of of street was it?
Do you need alcohol to be happy? Do you need smoking to be happy? Then you're saying I'm not complete enough without these things.
You should be talking to the audience the way you talk to one friend in a bar.
It looks like Cease is primarily interested in making comics feel good about their work and themselves. I guess that's nice.
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